Film editing is part of the
post production when the film or soundtrack is cut and sliced to fit together
in a specific way.
In camera editing is when the film is constructed in the order of when
the shots are taking meaning there is no post production editing. This
technique was started by the magician ‘George Meilies’. He used this technique
on his trick ‘the vanishing lady’ in 1896 when he used the tool of editing to
make it appear as he has made a person disappear.
Linear editing was first used within television in the 1950’s. This is
when the film being used is shown to tell a story in the correct order.
Non-linear editing however is when the film can be arranged in any order. The
first non-linear editor was in 1971. The first non-linear editing system was
the CMX-600. Examples of films that are non-linear are ‘Batman Begins’ and
‘Pulp fiction’.
Splicing is when film is edited by cutting sections of the film
and rearranging or discarding them. This is very straightforward and
mechanical. It can be done with a pair of scissors and splicing tape however is
not a very practical option as usually a splicing machine is used. This method
was used when first ever cuts of films were made like the 1898s ‘Come along,
Do!’
When editing you have to
consider the genre of the film you are editing and the style you are editing
in. For example in a horror film you would expect the edit to be fast paced
showing quick shots when the tension is building in maybe a chase scene and
close ups of the characters showing fear in there facial expressions. You would
also expect very dark shots.
Editing Techniques:
·
Following the Action
– This is when the camera follows the action or movement in the scene. One use
of this is a pan or tilt. A pan is when the camera rotates across horizontally
whilst a tilt is when the camera rotates up vertically on an axis or tripod. Another
technique to help follow action is to use a dolly or a truck. A dolly moves the
camera either closer or further away from the subject being shot whilst a truck
moves from side to side.
A sled and vest
system can also be used to follow action. This consists of a waited camera
sled, an elastic arm which can appear to show human movement, and a vest which
the person shooting the film would wear to distribute the weight of the gear evenly.
This helps move past characters smoothly to show the view of characters.
Another popular camera technique
to follow action
is to use a Boom. This is a camera on an arm that can pivot on a fixed point. This
can be useful when doing shots very similar to ones done by a tilt or a pan. However
a boom is also useful to also to
Many other shots, including
high end shots.
·
Continuity – When editing you need to
remember that the footage all needs to be continues to everything links up.
·
Montage – a montage is when short shots are edited
in a sequence. A famous example of a montage is the training montage in ‘Rocky
4’ to the song ‘Hearts On
Fire’
·
Manipulating Dietetic Time and Space – This is
when something is shown to change. It could be a person, an object or an environment.
·
Multiple Points of View – This is when a
scene is shown through more than one person’s point of view.
·
Speed – Slowing down and speeding up shots
can give a film a complete different effect. An example of a big use of this
would be ‘The Matrix’.
As well as techniques within the shots an editor can use
within their film, there are also a wide range of transitions that an editor
may use to go from one shot to another. Commonly used ones are:
·
A cut – A straight cut. One shot straight to
another.
·
A Fade – Often done to show time passes. This
is done as one shot fades out to full opacity whilst the new shot fades in.
·
A Wipe – This shows the new shot coming
sliding in from one side.
Examples
For my first example of an
edit I chose the opening fight scene of the 2009 film adaption of the graphic
novel ‘Watchmen’. This
films genre is action, mystery and sci-fi and is unrealism. https://www.youtube.com/watch?v=8i7l6Mh6giE
This scene is
a fight scene between the old superhero ‘The Comedian’ and a character that
appears at this point of the film to be unknown. The character is very dark as
well as most of the shot to show something important is there but you just
can’t see it which communicates the mystery genre.
The use of
dark colour also adds to the very dark tone of the film and communicates how
it’s not going to be a really fun family superhero film. The colours on a lot
of the close up objects used are very unrealistic bright colours to make them
stand out and also give them the tone that they would have in a graphic novel.
Many shots
shown in this film are exactly the same as shown in the graphic novel to give
it the tone of the superhero unrealism film. This scene has very unrealistic
and
over the top sound effects to also communicate the unrealism of the film
and the graphic novel it has adapted. Many of the sound effects are also shown
to be a lot louder than they probably would be in real life to also give the
impact that they had. There is also a technique with the use of very calm quiet
music in the background of the fight scene to give it soundtrack
dissonance.
This scene
uses a range of quick shots to show the fast passed fight scene however there
are many slow-motion shots also shown. These slow motion shots are often the
shots adapted from the graphic novel to communicate to the viewer that this is
the adaption of the graphic novel.
The scene is
also scene from multiple points of views as when the shot starts it could be
seen from the Comedians view however when the door is broken open it is shown
from the other characters view.
There is the
technique following the action throughout most of this scene. One use of the
truck technique is when the Comedian is thrown across the room. This shot
follows the comedian going from one side to the other. Straight after this shot
the Comedian looks at a set of knives. A dolly may have been used here as we
see the knives from the comedians point of view and the shot looks forward in
too the set of knives. After this shot He throws the knives. Here a pan would
have been used as a pan follows the knives being thrown from one side of the
room to the other with a horizontal turn. Towards the end of this scene there
is a tilt. As the comedian is thrown out of the window, the camera tilts down
on him falling.
This
scene shows the two main characters of the film, Dale Denton and Sol Silver, in
a car chase with a police officer. This chase scene uses a lot of quick shots
to make the chase seem really fast passed. It also uses very tense music to add
to the tenseness of it.
In
this scene there is a lot of the technique of the camera following the action.
Towards the beginning of the scene before the scene begins Sol tries to stop
the cop car he later drives however the driver isn’t looking and runs into him.
This shot where the car runs into him is taken from the car. A dolly may have
been used here to show the car moving forward.
Throughout
the chase scene the camera is shown to be a bit shaky. This makes the viewer
see the chase scene as very rough and tense.